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And So I Watch You From Afar Interview // The Seventh Hex

Photo by Ciara McMullan

Interview via The Seventh Hex

The Endless Shimmering’, the fifth album by Belfast, Northern Ireland quartet And So I Watch You From Afar, is the sound of a band operating on its purest instincts. Every individual is an algorithm of prior lives and experience acting as its own sovereign entity. ‘The Endless Shimmering’ is visceral and expressive — decidedly alive and purely instinctual; not conceptualized or postured. It’s ASIWYFA — guitarists Rory Friers and Niall Kennedy, bassist Johnathan Adger and drummer Chris Wee — manifest as a being beyond itself. Laced with a renewed level of optimism, ASIWYFA offer an anthemic rush that makes way for transcendental experiences and for individuals to soundtrack the band’s sounds to whatever they need in their life at this moment… We talk to Rory Friers about being led by instinct, endurance challenges and supper clubs…

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Interview: Niall Kennedy from And So I Watch You From Afar // Spectrum Culture

Belfast’s best musical export rides on. The exuberant, ridiculous, brilliant And So I Watch You From Afar just released their fifth album The Endless Shimmering to acclaim here on Spectrum Culture and continued their streak as one of math-rock’s most euphoric bands. Guitarists Niall Kennedy and Rory Friers, drummer Chris Wee and bassist Johnny Adger passed a decade as a band in 2015 and haven’t slowed down an inch. The new album flexes some hitherto unseen muscle, but still keeps things as bright and cheery as their old work, creating one of the year’s finest metal experiences.

Full interview via Spectrum Culture.

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‘It isn’t about how loud we are but the impact we can make’  // The Irish Times

The irony of having a civilised, if not genteel, discussion with two members of a band that has set the standard for raising the roof of any venue it plays in is not lost on Rory Friers and Chris Wee. These men are the guitarist and drummer with Belfast’s And So I Watch You from Afar, or Asiwyfa, a group that has over the past decade redefined the performative processes of (for want of a better term) post-rock.

Full article via The Irish Times.

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